
STOP GUESSING — SEGMENT SMARTER
Discover how smart segmentation transforms event strategy—aligning design, marketing, and legacy to meet diverse audience needs and expectations.
Dr Aaron Tkaczynski (University of Queensland, Australia).
EXECUTIVE SUMMARY
Segmentation isn’t just marketing—it’s strategy. Used well, it aligns event design, communications, and experience with audience needs, boosting impact and Return on Investment.
Big data is transforming how we understand audiences. Social media, geolocation, and predictive analytics enable more precise and dynamic segmentation than ever before.
Event-goers aren’t the only segment. Residents, sponsors, suppliers, and staff all have divergent interests—successful events must balance and integrate them.
Smaller events and mega-events face different segmentation challenges. But all require clear strategic intent and a deep understanding of audience motivations.
Misuse of segmentation can marginalise or exploit. Ethical use demands ongoing reflection, transparent goals, and attention to equity—not just economics.
“It’s one of the most powerful tools we have—but so few event organisers use it well.”
That’s how Aaron Tkaczynski, senior lecturer at the University of Queensland, frames market segmentation in events. And he’s not wrong. In a world where every event—from grassroots festivals to the Olympic Games—is competing for attention, understanding who your audience really is has never been more critical.
INTRODUCTION
For decades, market segmentation has been a staple of business strategy (Allen et al., 2008; Smith, 1956). But when it comes to events and festivals, it’s still underutilised, underexplored—and often misunderstood (Tkaczynski & Rundle, 2011, 2020). That’s a problem. Because knowing your audience doesn’t just help you fill seats. It shapes programming, marketing, ticket pricing, and even the long-term survival of your event (Allen et al., 2009; Getz, 2008).
So, why aren’t we doing more with it? And what does effective segmentation actually look like in today’s event landscape?
“Knowing your audience doesn’t just fill seats—it shapes experiences, defines purpose, and secures the future of your event.”
Market segmentation is a foundational concept in marketing, yet its application in the context of events and festivals remains patchy and underutilised—particularly at the scale of major and mega-events (Tkaczynski & Rundle, 2020). Too often, event organisers rely on assumptions or generic targeting strategies, grouping audiences in crude ways based on demographics or ticket tiers (Tkaczynski & Rundle, 2011, 2020; Tkaczynski et al., 2019). This can result in programming that misses the mark, underwhelming engagement, inefficient marketing spend, and failure to capitalise on the rich diversity of motivations and expectations attendees bring with them (Tkaczynski & Rundle-Thiele, 2020; Tkaczynski et al., 2019).
THE PROBLEM AND/OR OPPORTUNITY
But there is a huge opportunity here: when done well, segmentation offers a strategic edge (Smith, 1956; Morrison, 2019). It allows event producers to design experiences that resonate deeply with distinct audience groups, develop smarter, data-informed marketing strategies, and better align event programming with the destination's broader goals—whether that’s tourism, economic uplift, or community development (Tkaczynski & Rundle-Thiele, 2020). And as events grow increasingly complex and stakeholders more demanding, segmentation becomes not just a nice-to-have, but a critical tool for delivering purposeful, impactful, and financially sustainable events (Getz & Page, 2016; Tkaczynski & Rundle-Thiele, 2021).
WHY DOES THIS MATTER NOW?
The urgency of applying effective market segmentation in events has never been greater. Post-pandemic shifts in consumer behaviour, rising costs of event delivery, and fierce competition for audience attention mean that organisers can no longer afford to take a one-size-fits-all approach. Audiences are becoming more discerning, fragmented, and purpose-driven (Tkaczynski & Rundle-Thiele, 2020). They expect events to reflect their values, meet their needs, and justify their time and money. Meanwhile, sponsors, governments, and host cities are demanding more evidence of impact and return on investment (Getz, 2008).
In this context, segmentation is more than a marketing exercise—it’s a tool for survival and growth. For mega-events like Brisbane 2032, the stakes are even higher. Billions in public funding, global scrutiny, and competing interests require precision in programming and messaging. Understanding who your audiences are—and designing intentionally for them—is essential not only to fill seats, but also to generate legacy outcomes, civic pride, and community value. Ignoring segmentation risks delivering events that are tone-deaf, under-attended, or fail to justify their existence in an era of heightened accountability.
Market segmentation has long been accepted as a staple of marketing theory, particularly in business and tourism ((Morrison, 2018). Yet, in the context of events—especially mega-events—it remains underutilised or oversimplified. While many organisers acknowledge their audiences are diverse, they often default to broad, demographically-defined categories or rely too heavily on legacy assumptions about what drives attendance (Tkaczynski & Rundle-Thiele, 2011, 2020). This article pushes the conversation forward by calling for deeper, data-driven, and dynamic segmentation practices. It advocates for segmentation as a strategic design tool, not just a marketing one—enabling more intentional, inclusive, and sustainable event planning.
HOW DOES THIS ADD TO WHAT WE ALREADY KNOW?
“Segmentation has outgrown its marketing roots—it’s now a powerful tool for design, legacy, and social impact.”
WHAT IDEAS DRIVE THIS ARTICLE?
This article draws on foundational concepts from marketing and behavioural science—particularly psychographic, behavioural, and attitudinal segmentation—applying them to the events context. It builds on Aaron Tkaczynski’s 15+ years of research into segmentation within tourism and events, combining both quantitative and qualitative methods. Survey data, pre- and post-event analyses, and geodemographic profiling are considered alongside ethnographic insights from volunteers, residents, and attendees.
“Segmentation has outgrown its marketing roots—it’s now a powerful tool for design, legacy, and social impact.”
Key theoretical frameworks include the STP (Segmentation–Targeting–Positioning) model, audience typologies, and the experience economy. Aaron explores how segmentation is not just a retrospective classification tool but a prospective design lens for event managers. The article also engages with emerging techniques in big data analytics and digital trace methods (e.g., social media insights, QR tracking), showing how technology is transforming our capacity to understand and act on audience diversity.
Together, these approaches help reveal not just who attends an event, but why they come, how they experience it, and what motivates them to return—or not.
Key Arguments
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In today’s experience economy, assuming that all event attendees are the same is not only lazy—it’s costly. Audiences are more fragmented than ever, with varied motivations, values, and expectations (Tkaczynski & Rundle-Thiele, 2013, 2020). For instance, a sport mega-event like Brisbane 2032 will attract hardcore fans, casual spectators, local residents, cultural tourists, and even event-phobic sceptics. Each of these groups responds differently to marketing, programming, and logistics.
Ignoring these differences can lead to missed revenue, poor audience satisfaction, and reputational damage. At best, you get disengagement. At worst, you alienate entire segments. As Aaron Tkaczynski notes, “we can’t get absolutely everyone to come,” but we can make informed choices about who we design for and how.
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Events are expensive, risky, and resource-hungry. When done well, market segmentation gives decision-makers a blueprint for strategic choices: who to attract, how to message, what infrastructure to build, and what partnerships to pursue (Tkaczynski & Rundle-Thiele, 2020). Take the example of the Toowoomba Carnival of Flowers in Queensland. Once a quaint community celebration, it was transformed into a major drawcard by integrating a food and wine segment—based entirely on segmentation data revealing the overlap between flower lovers and culinary tourists (Tkaczynski, 2013a).
Whether you're bidding for a mega-event or programming a regional music festival, segmentation allows you to match programming with audience appetites and marketing spend with likely returns (Tkaczynski & Rundle-Thiele, 2020).
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The digital transformation of event planning has opened a floodgate of data. From social media analytics and ticketing platforms to post-event surveys and QR code interactions, organisers now have access to real-time behavioural feedback (Tkaczynski & Rundle-Thiele, 2020). But collecting data is not the same as understanding people.
Too often, event teams rely on demographic stereotypes or vanity metrics. What's needed is an interpretive mindset that blends qualitative and quantitative tools. Why do fans flock to a beer tent but skip a sustainability stall? Why does one audience segment attend multiple times while another never returns? Without segmentation, data becomes noise.
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Many assume segmentation is about advertising. But it’s just as powerful for designing onsite experiences. Understanding why someone attends shapes everything from signage and seating to food vendors and volunteering roles (Getz, 2008). At the 2023 Women’s World Cup in Australia, segmenting audiences by gender and family status enabled the development of family-friendly fan zones and female-centric safety planning—proving segmentation can serve inclusion and impact, not just sales.
Segmentation can also help understand and serve underserved stakeholders (Tkaczynski, 2013a). Residents, for example, are rarely considered an “audience,” yet their perceptions and experiences can make or break an event’s legacy (Tkaczynski et al., 2019, 2022). Segmenting resident attitudes—supportive, indifferent, sceptical—can inform how organisers engage with the local community long before the first ticket is sold (Tkaczynski, 2013a, b).
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Events often treat attendees as one-off consumers (Getz, 2008). But segmentation encourages a long-view. By tracking behaviours over time, events can identify which groups are likely to return, promote the event, or engage in future volunteering or activism (Tkaczynski & Rundle-Thiele, 2011, 2020). Longitudinal segmentation research—like that led by Tkaczynski—shows that those with a high sense of belonging or motivation tied to values (not just entertainment) are more likely to stay involved post-event.
This is where segmentation links directly to legacy planning. Who do you want to stay connected to your event ecosystem? How do you build civic pride, community cohesion, or destination loyalty over the long term? Segmentation can help answer these questions with rigour and clarity.
THE SEGMENT MODEL FOR SMARTER EVENTS
To support more intentional and effective segmentation in the events and festivals space, we propose the SEGMENT model—a seven-step framework that guides managers through the strategic use of market segmentation for design, delivery, and legacy.
S – Set Strategic Intent
Before diving into data, events must define what success looks like. Is the goal to increase revenue, deepen community ties, diversify audiences, or enhance legacy? Too often, segmentation is deployed without a clear objective. Strategic intent anchors the process.
Example: A local council-led festival may prioritise intergenerational attendance and civic pride, while a mega-event may aim for tourism ROI and global visibility.
E – Engage Through Tailored Messaging
Each segment needs different messages, media, and moments. Someone attending for nostalgia and national pride will respond differently than someone seeking novelty and Instagrammable moments. Use targeted comms strategies pre-, during-, and post-event to drive conversion and build loyalty. Partnerships with micro-influencers, curated email journeys, or geo-targeted push notifications all work better with defined segments.
G – Group by Meaningful Variables
Classic segmentation uses demographics (age, gender, income), but deeper insight comes from psychographics (values, beliefs, lifestyle) and behavioural traits (loyalty, participation history, digital habits). For example, grouping by ‘first-time visitors’, ‘value-seeking locals’, or ‘eco-conscious fans’ can unlock far more effective engagement strategies than just knowing age and postcode.
M – Map Segments to Design
Once you’ve identified key segments, align programming and operational decisions accordingly. This includes everything from marketing tone and ticket pricing to toilet placement and transport links. Brisbane 2032, for instance, could map segments to venue zones—designing family-friendly green spaces in parks while offering premium digital experiences for international fans.
E – Explore Existing Data
Most event organisers sit on a goldmine of untapped insights—ticketing platforms, social media analytics, post-event feedback, and even Wi-Fi usage patterns. Before investing in new research, explore what’s already available. For example, social listening tools can help identify interests and affinities well before a single survey is issued.
N – Nurture Feedback Loops
Segmentation is not static. People's values, lifestyles, and expectations shift. Create continuous feedback loops—such as post-event micro-surveys or real-time polling—to keep your understanding of audiences fresh. Segment evolution is especially important for long-cycle events like the Olympics or recurring festivals.
T – Track Legacy Potential
Use segmentation to think beyond the event window. Who is likely to become a volunteer, donor, or return visitor? Which resident groups are potential advocates—or detractors? What partnerships can sustain engagement year-round? Segmentation should feed your legacy and community strategy, not just your attendance spreadsheet.
The SEGMENT Model turns market segmentation into a practical, values-led toolkit that can be used across the entire event lifecycle—from early scoping to legacy planning.
CONCLUSIONS
The event and festival sector stands at a crossroads. As audience behaviours evolve, digital transformation accelerates, and social expectations grow more complex, the need to understand who events are really for—and how to serve them better—has never been more urgent (Tkaczynski & Rundle-Thiele, 2020).
Market segmentation offers more than just a marketing tactic; it is a foundational strategy for making better decisions, designing more meaningful experiences, and ultimately delivering greater impact (Tkaczynski & Rundle-Thiele, 2011; 2020). Whether you're hosting a niche cultural event, a sprawling urban festival, or a mega sporting spectacle like Brisbane 2032, understanding your audiences in all their diversity is no longer optional—it's essential.
Yet, many events still treat segmentation as a box-ticking exercise or an afterthought to ticket sales. This short-changes both the audience and the event’s long-term potential. By taking segmentation seriously—by applying it intentionally and iteratively across the lifecycle—we unlock smarter programming, deeper engagement, more effective marketing, and a legacy that lives beyond the closing act.
The SEGMENT model gives practitioners a practical, future-focused framework to embed segmentation meaningfully. It moves us from guesswork to grounded insight, from generic to tailored, from passive attendance to purposeful connection. And that matters—because if we don’t understand who we’re designing for, we’re just broadcasting into the void.
It’s time to replace assumptions with evidence, generic reach with targeted resonance, and passive planning with proactive purpose. The future of impactful events depends on it.
“If we don’t know who we’re designing for, we’re just broadcasting into the void.”
PRACTICAL ACTIONS
If market segmentation is the compass, then event strategy is the map. The following actions will help practitioners embed segmentation not just as a tool, but as a mindset across the entire event lifecycle—from initial concept to legacy planning.
1. Segment Early, Not Late
Too often, segmentation is relegated to the marketing stage. Flip this. Start by asking: Who is this event for, and why? Develop primary and secondary audience profiles at the strategising phase, not just when the campaign is launched. Engage diverse voices—including residents, attendees, and stakeholders—to understand potential markets before any design decisions are made.
2. Use the SEGMENT Framework
Adopt the SEGMENT model as a diagnostic and planning tool:
S: Specify your purpose (What are we trying to achieve?)
E: Examine your existing and potential audience data
G: Group audiences based on shared characteristics
M: Match programming and messaging to each group
E: Evaluate outcomes based on audience-specific KPIs
N: Nurture relationships with targeted engagement
T: Test and iterate regularly using mixed methods (quant + qual)
3. Invest in the Right Data
Move beyond assumptions. Use surveys, ticketing platforms, CRM systems, and social listening tools to capture behavioural, psychographic, and demographic data. For public space events, consider short intercept surveys or partnerships with universities to run resident segmentation studies.
4. Get Comfortable with Complexity
Segmentation is not about boiling audiences down to a single type. It’s about embracing complexity to make better decisions. Recognise overlapping identities and fluid motivations. For instance, someone may attend a food festival for culinary curiosity and community connection. Design for both.
5. Tailor Experiences, Not Just Communications
Use segmentation insights to inform everything: programming, venue design, accessibility options, service delivery, and cultural inclusion. Don’t just market differently—deliver differently. If younger audiences value sustainability, offer water refill stations and digital programs, not just Instagram ads about them.
6. Segment Residents and Volunteers, Too
Residents and volunteers are often treated as static background stakeholders. In reality, they hold distinct motivations, fears, and opportunities. Segment these groups with the same rigour as attendees. Understand their expectations and design strategies to engage them meaningfully.
7. Upskill Teams and Partners
Ensure internal teams and delivery partners understand segmentation and are trained in how to apply it. Integrate audience strategy into briefing packs, partner contracts, and workforce training. Everyone involved should know who they’re serving and why.
8. Link Segmentation to Legacy
Segmentation isn’t just for event-time decisions. It informs who benefits from the event afterwards. Track how different groups continue to engage with the event, brand, or destination—and use this insight to build long-term value and equity.
IMPLEMENTATION CHALLENGES
While segmentation offers powerful strategic benefits, it’s not without challenges. First, gathering high-quality audience data—especially for free or non-ticketed events—can be difficult, expensive, or logistically constrained (Tkaczynski & Rundle-Thiele, 2020). Smaller organisations may lack the capacity to analyse or act on this data meaningfully (Tkaczynski et al., 2019). Second, segmentation requires clear strategic intent. If an event’s objectives are vague or politically contested, it’s hard to identify meaningful audience segments (Tkaczynski & Rundle-Thiele, 2020). Third, ethical tensions may arise: targeting high-value tourists or attendees might unintentionally marginalise less “profitable” groups, particularly local residents (Tkaczynski et al., 2019). Finally, segmentation is dynamic. Audiences shift over time, meaning insights can quickly become outdated if not refreshed. To overcome these challenges, event managers must be both pragmatic and reflective—combining ambition with criticality to ensure segmentation supports broader social, cultural, and economic goals, rather than simply reinforcing commercial priorities (Tkaczynski & Rundle-Thiele, 2020).
REFERENCES
Allen, J., O’Toole, W., Harris, R., & McDonnell, I. (2008). Festival and special event management. Milton, Australia: John Wiley & Sons.
Getz, D. (2008). Event tourism: Definition, evolution and research. Tourism Management, 29(3), 403–428. https://doi.org/10.1016/j.tourman.2007.07.017
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Tkaczynski, A. (2013a). Flower power? Activity preferences of residents and tourists to an Australian Flower Festival. Tourism Analysis, 18(5), 6-7-613. https://doi.org/10.3727/108354213X13782245307993
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AUTHOR(S)
Senior Lecturer, University of Queensland (Australia).
Dr Aaron Tkaczynski is a Senior Lecturer in both tourism and events in the School of Business in the Faculty of Business, Economics & Law. He has been employed at the University of Queensland in a research capacity since 2009. Since 2021 he has also had an extra-ordinary Associate Professor position in the Tourism Research in Economics, Environs and Society (TREES) department at North-West University in Potchefstroom in South Africa. Aaron's research expertise and experience stems from market segmentation modelling. He publishes within journals such as Tourism Management, Journal of Sustainable Tourism, Annals of Tourism Research and the Journal of Travel Research. Dr Tkaczynski is also very interested in tourism seasonality, eco-certification, nature-based tourism, social marketing, and small-scale festivals. Aaron is also a Christian and actively researches and volunteers for many Christian orientated events such as festivals and leadership conferences. Prior to academia, Aaron was employed in local government (Hervey Bay City Council, Redland Shire Council and the Local Government Association of Queensland).
Disclaimer
The views and insights expressed in this article are those of the author(s) and reflect their research and professional expertise. They do not represent the views of the Centre for Events & Festivals CIC or its partners.