HOW CAN MEGA EVENTS BE ENGINES OF NATION BRANDING?

Mega-events offer nations a powerful stage to rebrand, rebuild, and reintroduce themselves to the world.

Dr Mike Duignan (University of Paris 1: Pantheon-Sorbonne, France).

EXECUTIVE SUMMARY

  • Japan used the Tokyo 2020 Olympics to shift global perceptions after the Fukushima disaster, intertwining recovery with global rebranding.

  • The Games were positioned as a dual project of physical reconstruction and symbolic national resilience.

  • Domestic and international campaigns, such as “Enjoy my Japan” and “Tokyo, Tokyo,” reveal how soft power is leveraged through mega-events.

  • Despite innovation, limitations emerged around narrative coherence, stakeholder alignment, and the global resonance of messaging.

  • Policymakers and event leaders must strategically align narratives with legacy goals, while embedding local voices to ensure authentic and lasting impact.

What if the true purpose of hosting the Olympics isn’t sport—but storytelling?
In the shadow of disaster, Japan seized an audacious opportunity: to reframe its national identity, rewrite its cultural narrative, and reintroduce itself to the world. Nearly a decade after the Fukushima triple disaster—earthquake, tsunami, and nuclear meltdown—Japan won the right to host the 2020 Olympic Games. But the stakes were far greater than medals. This was a campaign not just to host athletes, but to heal a wounded image.

INTRODUCTION

Despite being one of the world’s wealthiest and most technologically advanced nations, Japan still struggles with entrenched social attitudes toward disability. PwD remain largely invisible in public life — from workplaces to tourist attractions. So while Tokyo 2020 became a catalyst for building accessible infrastructure, changing hearts and minds proved far more elusive. A country that led the world in bullet trains and robotics found itself racing to catch up on basic rights and recognition.

Mega-events like the Olympics promise legacy — but legacy for whom? This article asks whether hosting a global spectacle can truly catalyse long-term transformation for disabled citizens and visitors alike, or whether cities are merely polishing façades for the cameras. Drawing on interviews, observations, and policy analysis, we explore how Tokyo 2020 became both a showcase of accessibility — and a mirror reflecting the deep-rooted 'disability-attitude gap' societies must confront.

This was a campaign not just to host athletes, but to heal a wounded image.

THE PROBLEM AND/OR OPPORTUNITY

Japan’s challenge wasn’t simply to stage a successful Olympic Games—it was to recover its global image following one of the most devastating ecological disasters of the 21st century. The 2011 Fukushima nuclear crisis left not just radioactive fallout but deep reputational damage. For years, international visitors avoided the country, fearful of exposure and unsure of safety. Japan’s hard-won reputation as a clean, efficient, and culturally rich destination was suddenly fragile.

But within this adversity lay opportunity. Tokyo 2020 became a strategic vehicle to reverse declining tourism confidence and project a bold, reimagined national identity.

The Olympic platform offered more than visibility—it offered validation. If Japan could host the world’s most iconic event safely and compellingly, it could not only reassure tourists but rebrand itself as a modern, resilient, and culturally dynamic nation.

This wasn’t just about image repair—it was about futureproofing Japan’s place in the global tourism economy. From an overreliance on regional Asian markets to the underdevelopment of regional destinations, Japan needed to diversify its visitor base, decentralise its tourism offer, and accelerate its cultural storytelling capabilities. Tokyo 2020 offered the rare convergence of attention, legitimacy, and state investment to make that happen.

WHY DOES THIS MATTER NOW?

Most research on mega-events has focused on their economic impacts, infrastructural legacies, or temporary boosts in visitation. But few studies offer a detailed, empirically grounded account of how national and city-level governments use mega-events as strategic vehicles for place re-imaging—particularly under conditions of crisis. This article addresses that gap.

By examining Tokyo 2020 not as a standalone spectacle but as a multi-year branding intervention following ecological disaster and amid economic uncertainty, this study shifts the conversation from whether mega-events shape place image to how and why they do so.

This matters especially now because tourism is not just bouncing back—it’s evolving. Travellers are more discerning, safety-conscious, and experience-driven than ever before. Countries with fragmented brand narratives or fragile reputations will struggle to compete unless they master the art of strategic storytelling.

Tokyo 2020 demonstrated how a mega-event can be used not just to attract visitors—but to strategically reorient the entire nation’s tourism strategy. For emerging and established destinations alike, Japan’s case raises a crucial question: Can you afford not to treat your next event as a national branding moment?

HOW DOES THIS ADD TO WHAT WE ALREADY KNOW?

The Tokyo 2020 Games—postponed by a global pandemic, delivered in near-empty stadiums, and clouded by uncertainty—still achieved something extraordinary: it redefined the role of mega-events in national recovery. In a post-COVID world where destinations must compete fiercely for trust, attention, and sustainable growth, Japan’s experience offers a timely lesson in strategic resilience.

As climate shocks, health crises, and geopolitical instability become the new normal, nations will increasingly look to events not just as spectacles, but as instruments of economic diversification, cultural projection, and place re-imaging. Japan showed that mega-events, if leveraged effectively, can catalyse both infrastructural and symbolic transformation.

...mega-events, if leveraged effectively, can catalyse both infrastructural and symbolic transformation

It builds on and extends theories of strategic event leveraging, image transfer, and representational innovation—while critically exposing the managerial limits of state-led branding efforts.

This work provides new empirical evidence and theoretical insight into the double-edged potential of mega-events: as both a catalyst for strategic transformation and a mirror reflecting unresolved governance and identity challenges.

WHAT IDEAS DRIVE THIS ARTICLE?

This article draws conceptually on place branding theory, particularly the distinction between functional and representational innovations (Caldwell & Freire, 2004), and the idea of mega-events as strategic “shock interventions” (Klein, 2007) capable of catalysing place transformation. It also engages with the notion of image transfer (Gwinner, 1997), whereby the symbolic capital of an event is projected onto the host destination, influencing global perceptions.

This study shifts the conversation from whether mega-events shape place image to how and why they do so.

Key Arguments

  • Mega-events often act as powerful strategic shocks—disruptive opportunities that allow governments to fast-track transformation agendas under the guise of celebration. When combined with an existing crisis, such as a natural disaster or economic downturn, their catalytic effect can be magnified. In the case of Tokyo 2020, the Olympic Games followed the Fukushima nuclear disaster, producing a dual shock: an ecological crisis followed by an economic and symbolic opportunity to reposition the nation.

    This dual shock enabled Japan to deploy the Olympics not just as a sporting event, but as a vehicle for rebranding itself as a safe, resilient, and culturally distinctive global destination. The Games were framed as a national recovery project, leveraging international visibility to rebuild confidence and attract foreign tourists. This re-imaging effort was further legitimised by the symbolic endorsement of hosting the Olympics, which signalled global acceptance of Japan’s recovery and preparedness.

    Importantly, the mega-event served to accelerate long-term ambitions for tourism-led growth, acting as a justification for large-scale public investment in infrastructure, accessibility, and international marketing. Mega-events offer a window of opportunity during which new policies and priorities can be pushed through that might otherwise face bureaucratic inertia or political resistance.

    However, while the potential for transformation is significant, it relies on a state’s capacity to strategically manage that momentum. Without clear vision, leadership, and coordination, the shock effect may expose institutional weaknesses rather than resolve them. In this sense, mega-events are accelerants—but not guarantees—of change.

  • Mega-events such as the Olympics serve a dual purpose for host destinations: they enable functional transformation through infrastructure and service improvements, while also facilitating representational re-imagining—a deliberate reshaping of how the place is perceived globally. These two processes are deeply interconnected. Physical improvements offer tangible evidence of renewal, while strategic communications and branding efforts narrate a compelling story of change.

    In the Tokyo 2020 case, this dual strategy was evident in both the substantial infrastructure upgrades and the coordinated national branding campaigns like “Tokyo, Tokyo” and “Enjoy My Japan.” Functionally, Japan invested in transport upgrades, enhanced accessibility, and built new facilities designed to benefit both tourists and residents. These improvements aimed not only to support the Games but also to leave a lasting tourism legacy aligned with Japan’s long-term vision of attracting 40 million annual international visitors.

    Representationally, the government curated a narrative of Japan as a modern, welcoming, and resilient society—one that had recovered from the Fukushima disaster and emerged stronger. Through careful control of imagery, symbols, and messages, Tokyo 2020 became a platform to showcase cultural richness, technological advancement, and hospitality.

    When functional upgrades and representational strategies are coordinated, the impact of mega-events on national image and tourism potential is amplified. However, misalignment between the two—such as promoting inclusivity without accessible infrastructure—can undermine credibility. The Tokyo case illustrates how a harmonised approach can embed legacy ambitions into both material space and international imagination.

  • Mega-events are never just about sport or spectacle—they are stages for narrative control. Host governments and organisers use these global moments to promote carefully crafted stories about identity, progress, and values. But curating these narratives is not a neutral act; it involves decisions about what to highlight, what to hide, and whose voices are included or excluded. This makes narrative control both a political act and a cultural balancing act.

    In Tokyo 2020, the Japanese government seized the opportunity to reframe the country’s global image, emphasising safety, sustainability, innovation, and resilience in the face of adversity. Yet behind these celebratory themes, there were real tensions. Activists, residents, and journalists pointed out how marginalised voices—especially those of Fukushima evacuees, unhoused populations, and critics of the Games—were silenced or sidelined in the official story.

    This reflects a broader challenge: mega-events often involve selective storytelling. Success depends not only on the quality of the infrastructure or the brilliance of the event, but on how convincingly a city or nation can tell a story that resonates globally without triggering backlash at home. Achieving this balance requires understanding the diverse audiences who consume these narratives—from domestic citizens to international media, tourists, and investors.

    Tokyo 2020 demonstrates that building a strong legacy involves more than constructing venues—it’s about constructing meaning. The way a story is told, and who gets to tell it, can shape perceptions for decades to come.

CONCLUSIONS

The Tokyo 2020 Olympic Games offered a unique platform to reposition Japan on the global stage after the Fukushima disaster. But the window of opportunity created by mega-events is fleeting. If not strategically harnessed, the momentum they generate for image repair, tourism promotion, and infrastructure development quickly dissipates. Japan’s efforts—through campaigns like “Enjoy my Japan” and major functional improvements to accessibility, safety, and international visitor readiness—demonstrated real ambition. Yet they also exposed persistent weaknesses: fragmented governance, underdeveloped narrative cohesion, and limited ability to connect meaningfully with new markets, particularly in the West.

This matters now more than ever. As global competition for tourism intensifies post-COVID, and as crises—from natural disasters to reputational damage—continue to shape national identities, governments and cities must take a longer-term, strategic view. Re-imaging cannot be left to chance or confined to the short lifecycle of a mega-event. It must be planned, resourced, and sustained well beyond the final closing ceremony.

Tokyo 2020 was not just about sport—it was about resilience, recovery, and reinventing national identity. But these goals require more than symbolism. They demand coordination across ministries, consistent storytelling, investment in human and digital infrastructure, and meaningful engagement with target audiences. Without this, legacy risks becoming lip service, and place branding may reinforce old stereotypes rather than challenge them.

Physical accessibility can be designed, but inclusion must be lived.

PRACTICAL ACTIONS

1. Integrate Place Re-Imagining into Early Mega-Event Planning
Cities and nations must begin developing place rebranding strategies before winning bids. Too often, place narratives are treated as an afterthought or bolt-on marketing campaign. As Tokyo 2020 demonstrated, without embedding a clear vision (e.g. Fukushima’s recovery) into the DNA of the Games, the intended message struggles to resonate globally. Establish cross-ministerial and local-national coordination teams to ensure narrative cohesion from the outset.

2. Co-Produce Recovery Narratives with Local Communities
Authentic place re-imaging is only possible when those most affected by crisis are part of the storytelling. Policymakers should facilitate co-creation workshops with residents, artists, historians, and survivors to shape content that reflects real experiences—moving beyond top-down PR messaging. This builds local legitimacy and enhances the credibility of international communications.

3. Invest in Global Outreach, Not Just Domestic Symbolism
Japan succeeded in resonating with domestic audiences, but failed to engage Western publics in the Fukushima narrative. Future mega-event hosts must strategically target global audiences, especially through international media partnerships, cultural diplomacy, and multilingual storytelling campaigns. Communications should be emotionally intelligent, audience-specific, and coordinated across platforms.

4. Embed Resilience Themes into Physical and Experiential Design
Beyond slogans, event infrastructure and visitor experiences should demonstrate recovery in action. Tokyo’s improvements in accessibility were a step in the right direction. Hosts should ensure that every touchpoint—venues, signage, ceremonies, exhibitions—reinforces the core narrative. For Fukushima, this could have included mobile exhibitions in athlete villages, interactive installations in transit zones, or storytelling hubs in city fan parks.

5. Bridge National Branding and Tourism Goals
Tourism boards, national image strategists, and event delivery authorities often work in silos. Governments must align their mega-event efforts with broader place-branding and economic goals. Establishing a permanent “strategic narrative” unit that spans ministries and delivery agencies can support consistency and impact.


IMPLEMENTATION CHALLENGES

  1. Cross-sector coordination is difficult: Aligning tourism, national branding, and mega-event planning requires sustained collaboration between government agencies, city officials, and private partners—an effort often hindered by siloed bureaucracies and conflicting agendas.

  2. Community narrative co-production is complex: Involving local communities in developing authentic event narratives can be politically sensitive and time-consuming. There’s also the risk of tokenism, where official stories overshadow or dilute grassroots voices.

  3. Global narrative reach is uncertain: Even the best-crafted domestic narratives struggle to resonate internationally, especially when competing with dominant media frames or when geopolitical tensions draw attention away from intended messaging.

  4. Measuring impact is imprecise: Tools like media tracking and sentiment analysis provide some insight, but assessing the long-term impact of narrative strategies remains subjective, contextual, and difficult to quantify with precision.

  5. Political will and resource commitment are uneven: Ambitious narrative strategies require not just creativity but long-term funding, leadership buy-in, and political alignment—all of which can be undermined by electoral cycles or shifting policy priorities.

REFERENCES

See original article for references.

AUTHOR(S)

Professeur des universities, University of Paris 1: Pantheon-Sorbonne (France).

Mike is the Founder and CEO of the Centre for Events and Festivals (CEF); Professeur at the University of Paris 1: Pantheon-Sorbonne; and the Editor-in-Chief of Event Management Journal - the leading academic journal for the study and analysis of events and festivals, founded in 1993, and based in New York (USA). He is also the Editor of Routledge’s book series: ‘How Events Transform Society’. Previously, Mike has been Director of Research, Intelligence and Education at Trivandi; Associate Professor at the University of Central Florida (USA) and Head of Department and Reader at the University of Surrey, where he was also the Director of the UK Olympic Studies Centre - the #1 UK, European and USA universities for the study of events and festivals. For the past 15 years, Mike has been researching, analysing, commentating, writing, publishing, and teaching on the economics and social impacts of staging major events, with the view to improve delivery and leave a sustainable legacy for the communities, people and places that play host. All Mike’s work is available at: www.MikeDuignan.com. 

Disclaimer
The views and insights expressed in this article are those of the author(s) and reflect their research and professional expertise. They do not represent the views of the Centre for Events & Festivals CIC or its partners.