THE PROBLEM OF FESTIVAL HARASSMENT – AND WHAT WE CAN DO ABOUT IT

Event organisers face a crossroads: ignore rising evidence of systemic harassment, or redesign festivals as truly inclusive experiences — where safety, dignity, and equity are non-negotiable for every single attendee.

Dr Maarit Kinnunen (University of Lapland, Finland).

Dr Antti Honkanen (University of Turku, Finland).

This article is based on: Kinnunen, M., & Honkanen, A. (2024). Inappropriate behavior at Finnish live music events. Event Management, 28(3), 421–439. https://doi.org/10.3727/152599523X16990639314819

EXECUTIVE SUMMARY

  • Alcohol-driven event economies and unsafe spatial design create environments where abuse is normalised and often goes unchallenged, particularly in crowd-dense and low-surveillance areas.

  • Minority attendees are at significantly higher risk of inappropriate behaviour, including harassment, discrimination, and violence, with nonbinary, disabled, and LGBTQ+ individuals most affected.

  • Reporting systems are underused and distrusted, especially among those repeatedly marginalised, reinforcing silence and allowing harmful behaviour to persist unaddressed.

  • Festival and venue organisers hold the power — and responsibility — to act, by embedding safer space policies, inclusive training, and clear accountability structures across the event lifecycle.

  • Without systemic action, live music events will continue to reflect broader societal inequalities, excluding those who already face barriers elsewhere and undermining claims of cultural openness and diversity.

At a sold-out Finnish music festival, the crowd sways to the beat, lost in the music. But for nearly one in three attendees, what should be a moment of joy is clouded by fear, violation, or humiliation. New research reveals that 64% of nonbinary attendees, 33% of women, and 22% of men at Finnish live music events have experienced inappropriate behaviour—ranging from sexual harassment to physical threats.

INTRODUCTION

And these aren’t isolated incidents: they happen in the crowd, in bar queues, and even at the hands of security staff. In a country lauded globally for gender equality, this finding is more than alarming—it’s a wake-up call. As events professionals and cultural leaders, we must ask: how inclusive and safe are our festivals, really? And what would it take to make the live music scene genuinely welcoming for everyone?

THE PROBLEM AND/OR OPPORTUNITY

Live music events are designed to unite people in shared joy, cultural expression, and collective euphoria. Yet beneath this ideal lies a troubling and persistent problem: for many, especially those in minority groups, these spaces are anything but safe (Kinnunen & Honkanen, 2025). The prevalence of inappropriate behaviour—verbal harassment, physical threats, sexual assault, and discriminatory abuse—is far too common (Bows et al., 2022; Fileborn et al., 2019). In Finland alone, nearly one-third of all respondents to a national survey reported experiencing inappropriate behaviour at live music events in the past five years.

For nonbinary individuals and those with intersecting minority identities (such as being disabled or LGBTQ+), the risks rise dramatically. These figures not only challenge the perceived inclusivity of the events industry but expose the limits of current safeguarding policies and cultural norms. The opportunity now is twofold: to reckon with the systemic failures that have allowed these behaviours to go unaddressed, and to lead a new era of practice that makes safety, dignity, and equity non-negotiable pillars of every event.

In Finland alone, nearly one-third of all respondents to a national survey reported experiencing inappropriate behaviour at live music events...

There has never been a more urgent moment for the live events industry to act. Social movements like #MeToo, #Punkstoo, and broader equity campaigns have brought issues of harassment, discrimination, and abuse to the forefront. At the same time, the global live music sector is struggling with post-pandemic recovery, mounting economic pressure, and changing audience expectations—especially among younger, more diverse, and values-driven audiences. In this volatile context, safety and inclusion are no longer optional; they are existential. Festivals and venues that fail to act risk reputational damage, loss of public trust, and disengagement from key audience segments.

WHY DOES THIS MATTER NOW?

Moreover, national policy environments are shifting: Finland’s 2023 legal reforms around consent, for instance, create a sharper mandate for accountability. When event spaces tolerate or mishandle abuse, they not only harm individuals but reinforce societal inequalities. But if they respond with integrity and innovation, they can lead cultural change. Organisers have a narrow window to evolve—not just to comply, but to demonstrate leadership in making live music genuinely safe, inclusive, and empowering for all (Calver et al., 2023; Pernecky et al., 2019).

...safety and inclusion are no longer optional; they are existential. Festivals and venues that fail to act risk reputational damage...

HOW DOES THIS ADD TO WHAT WE ALREADY KNOW?

While past research on harassment at music events has largely focused on gendered violence (Baillie et al., 2022; Bows et al., 2022; Platt & Finkel, 2020)—particularly toward women—this study breaks new ground by foregrounding the experiences of disabled, nonbinary, and other minority groups. It significantly extends existing literature by revealing the layered vulnerability created through intersecting identities and the troubling prevalence of abuse even in societies ranked high in equality, like Finland.

Most importantly, it shifts the focus from isolated incidents to systemic patterns across venues and festivals, challenging the industry’s assumption that current ‘safer space’ policies are sufficient. This research reframes inappropriate behaviour as a structural, not incidental, problem.

WHAT IDEAS DRIVE THIS ARTICLE?

This study draws on a robust quantitative research design grounded in audience data from two national surveys: the Finnish Festival Barometer and the Finnish Venue Barometer. Together, these surveys captured 19,452 responses from festival and concert attendees, enabling one of the largest-scale examinations of inappropriate behaviour at live music events to date. The researchers employed chi-square tests, risk ratio analysis, and logistic regression to identify the scale, spaces, perpetrators, and demographic risk factors associated with harassment. Importantly, the study leveraged an intersectional framework, examining how overlapping minority identities—such as nonbinary gender, disability, or sexual orientation—increase the likelihood of experiencing harm.

While much prior work has relied on small qualitative studies or focused primarily on sexual harassment experienced by women (Brooks, 2011; Hill et al., 2020), this study combines statistical rigour with lived experience. The inclusion of qualitative excerpts from open-ended responses enriches the data, offering insight into the emotional and embodied consequences of these experiences. The research also distinguishes between festivals and venues, revealing that risks persist across both formats and are exacerbated by crowd density and alcohol consumption. The approach marks a methodological advance in event studies, enabling more nuanced analysis of who is most at risk—and why.

Key Arguments

  • Contrary to the notion that incidents of harassment at live music events are isolated or the result of occasional misjudgement, the data from Finnish music festivals and venues tell a more troubling story: 30% of all respondents reported experiencing inappropriate behaviour in the past five years. That number rises dramatically for certain groups—33% of women, 64% of nonbinary attendees, and disproportionately high percentages of disabled and sexual minority individuals. These are not one-off occurrences. They are indicative of a patterned form of social exclusion and power imbalance playing out in public leisure spaces. The survey's 19,452 responses confirm that such experiences are recurring, not exceptional. They take place in consistent spaces—crowds, bars, and viewing areas—and follow familiar dynamics, with perpetrators overwhelmingly being unknown members of the audience, often under the influence of alcohol. A culture of normalised misconduct, especially when it is met with silence, insufficient intervention, or disbelief, allows inappropriate behaviour to persist. This entrenched pattern demands that we stop viewing harassment as a by-product of bad luck or poor individual choices and start treating it as a systemic issue that reflects broader social norms and failures in event governance.

  • Live music events often cultivate liminal spaces—temporary zones where the rules of everyday life are suspended in favour of celebration, excess, and social experimentation. While this can be liberating, it can also provide cover for harmful behaviour. Finnish festivals and music venues are prime examples of how physical design and cultural norms converge to create environments where misconduct can flourish. Crowded mosh pits, poorly lit bars, congested queueing areas, and loud music all combine to inhibit situational awareness and reduce the likelihood of bystander intervention. Alcohol consumption exacerbates these issues: it lowers inhibitions, weakens social accountability, and is frequently used as both a justification and a shield for inappropriate behaviour (Fileborn et al., 2020). For event organisers, this becomes a structural challenge. Intoxicated crowds and dense physical spaces are not merely neutral features—they actively shape behaviour and risk. Moreover, when events prioritise alcohol sales for economic survival, as many Finnish festivals and venues do, they unwittingly entrench these dynamics. The consequence is a permissive environment where perpetrators feel emboldened and victims feel unsupported or ignored. The organisational failure to monitor these settings with appropriate care—especially when security staff themselves are sometimes implicated in misconduct—turns space into a site of risk rather than refuge.

  • The Finnish study adds significant empirical weight to the claim that belonging to one or more minority groups dramatically increases the risk—and complexity—of experiencing harassment at events. Nonbinary participants, for example, reported the highest rates of all forms of inappropriate behaviour: 46% experienced harassment due to gender, 43% faced sexual harassment, and 30% had physically threatening encounters. But it is not just the frequency—it is the compounded nature of the experiences. Intersectionality matters: those who belonged to multiple minority groups (e.g. disabled and queer; racialised and gender-diverse) faced significantly greater risks. In these cases, inappropriate behaviour was often layered and personalised, targeting different aspects of identity simultaneously. Harassment for being in a wheelchair wasn’t just about access—it came laced with ableist assumptions about who "belongs" in a leisure space (Kinnunen & Honkanen, in press). Verbal attacks on LGBTQ+ individuals often included slurs, mocking of gender expression, or being physically jostled in queues. These experiences are not only harmful in the moment but leave lasting emotional damage and alter how individuals engage with public space. The study's robust statistical analysis moves beyond anecdote: it documents a troubling pattern of social marginalisation playing out in environments that claim to be inclusive and fun. Failing to address this systematically is not just an ethical lapse—it is a denial of full cultural participation.

  • Even when attendees do speak up, their complaints are frequently dismissed, ignored, or mishandled (Graham et al., 2017). The Finnish research shows that 94% of perpetrators were fellow audience members, but 5% were event staff—especially security personnel, whose job is ostensibly to protect the crowd. One young woman reported that after being sexually harassed, she was met with minimisation by a female security guard who simply told her to "move to the back" as if proximity, not behaviour, was the issue. Another was groped during a bag check. These failures create a chilling effect: people who experience inappropriate behaviour are discouraged from reporting it, knowing it may lead nowhere or further distress. This breakdown in trust damages the psychological contract between eventgoers and organisers. When festivals or venues lack clearly communicated safer space policies, trained harassment contacts, or visible response protocols, they send a signal—intentional or not—that safety is not a priority. In the long term, this erodes reputational capital and can deter whole demographic groups from attending events. Organisers cannot afford to view reporting mechanisms as legal formalities. They are crucial elements of the attendee experience and must be designed with accessibility, empathy, and accountability in mind.

  • Festivals and live music events often brand themselves as inclusive, liberating spaces—a celebration of diversity, unity, and self-expression. But for large segments of the population, especially those belonging to minority communities, this promise rings hollow. When harassment is pervasive, reporting is inadequate, and accountability is weak, marginalised individuals are pushed out of shared cultural space. This exclusion is not only unfair—it’s unsustainable. The events industry depends on broad participation, growing ticket sales, and audience trust. If marginalised groups stop attending—or simply never feel welcome—organisers risk shrinking markets and diminished legitimacy. Moreover, event organisers miss the opportunity to lead societal change. Events are not just mirrors of social norms; they are also laboratories for new ways of relating, celebrating, and coexisting. By investing in safety, accessibility, representation, and robust policy, events can become powerful sites of inclusion and transformation. However, this requires moving beyond reactive crisis management towards proactive structural reform. It means treating diversity and safety as strategic priorities rather than optional values. Without this shift, the events sector will remain complicit in the very inequalities it purports to challenge.

THE SHAPE FRAMEWORK: DESIGNING SAFER, MORE INCLUSIVE EVENTS

To move from fragmented responses to systemic solutions, event organisers can apply the SHAPE framework — a five-part model built around actionable domains:

S – Signal Values Clearly and Consistently

Organisers must visibly and credibly communicate that safety, inclusion, and zero tolerance for harassment are non-negotiable. This includes pre-event messaging (e.g. ticketing platforms, websites, social media), on-site signage, and emcee announcements. Codes of conduct should be clear, concise, and accessible, outlining not just rules but shared values. Policies should be developed in collaboration with marginalised communities, not just imposed from the top down.

Example: Ruisrock Festival in Finland now publicises its safer space policy on its website and trains staff accordingly, using visual icons and simple language to reach wider audiences.

H – Hire, Train, and Empower the Right People

Security staff, volunteers, and customer-facing personnel should not just manage crowd control — they should understand harassment dynamics, unconscious bias, and trauma-informed response. This requires formal training before every event, as well as role-specific protocols for responding to and escalating complaints.

Example: After backlash over security inaction, some festivals began appointing harassment contact persons (e.g. identifiable staff members wearing “safe to talk” badges) to provide immediate, non-judgmental support.

A – Act on Data and Feedback

Stop relying on anecdote. Build event evaluation tools that gather real, granular data on inappropriate behaviour — anonymously, during and after the event. Analyse patterns by space, time, and demographics to adapt layout, lighting, staff placement, and crowd flow. Incident reporting should be easy, multi-channel (QR codes, apps, text), and visibly followed up.

Example: The Finnish Festival Barometer embedded questions about harassment into broader audience surveys, generating actionable insights for over 20 major events.

P – Prioritise Space and Substance Use Design

Rethink physical space and alcohol economics. Crowded bars, dark dance floors, and queues are hotspots for harm. Solutions include creating buffer zones, no-booze areas, designated recovery spaces, and enforcing limits on over-service. If alcohol subsidises the business model, introduce a harm-reduction offset strategy — more staff, more surveillance, more support.

Example: Some Scandinavian venues are piloting mixed-use areas where attendees can opt in to “low-interaction” zones or quiet rest areas with peer-support volunteers.

E – Embed Inclusion as a Strategic Priority

Treat inclusion not as marketing, but as operational design. This means diversifying line-ups, recruiting from underrepresented groups, integrating accessibility into ticketing and space design, and involving marginalised communities in shaping the event experience. Events should regularly audit whether they are truly welcoming — not just compliant.

Example: A growing number of Finnish venues and festivals now include musicians and staff from LGBTQ+ and disability communities to reflect a broader spectrum of audiences.

Why SHAPE Matters

Unlike ad hoc pledges or tokenistic actions, SHAPE offers an integrated, repeatable, and measurable way to build safer event environments. It acknowledges the social, spatial, economic, and emotional dynamics that make live music events both magical and potentially harmful — and gives organisers the tools to minimise harm without sacrificing atmosphere.

CONCLUSIONS

From Passive Tolerance to Proactive Culture Change

Live music events are meant to be spaces of collective joy, creativity, and belonging — but for too many, they remain sites of anxiety, exclusion, and harm. The evidence from Finland is stark: inappropriate behaviour is not an isolated problem but a structural issue, disproportionately affecting women, nonbinary individuals, persons with disabilities, and sexual or ethnic minorities. These are not fringe cases. They are predictable patterns, repeating in the same spaces, with the same consequences, year after year.

The root issue is not just bad behaviour — it’s organisational inaction. Many event organisers still rely on informal “vibes” and vague assumptions of community instead of embedding real protections into their design and operations. As the SHAPE framework shows, a better path is possible — one where festivals and venues are not just reactive but strategic, not just inclusive in language but in lived experience.

Time is short. With shifting audience expectations, greater social scrutiny, and changing legal norms, organisations that fail to act now risk reputational damage, legal exposure, and lost audiences. But those that lead — with clarity, courage, and care — can become cultural frontrunners in a new era of event safety and inclusion. The question is not whether we act, but whether we act soon enough — and well enough — to reshape the live music world for the better.

...inappropriate behaviour is not an isolated problem but a structural issue...

PRACTICAL ACTIONS

1. Signal Inclusion Early and Often

  • Publish clear safer space policies on your website, ticketing platforms, and on-site (e.g. entrances, bars, bathrooms, screens).

  • Use inclusive imagery and language across all branding — ensure marketing represents a diverse range of identities, abilities, and experiences.

  • Explicitly name zero-tolerance policies against harassment, with real consequences outlined (e.g. ejection, bans, legal referral).

2. Hire and Train for Respect and Accountability

  • Mandatory harassment training for all staff, security, volunteers, and vendors. Include scenarios involving multiple minority identities.

  • Diversify front-facing staff: hire people of different genders, ethnicities, sexual orientations, and abilities — especially for security and customer service roles.

  • Appoint harassment liaison officers at every event: trained, visible, and separate from security staff.

3. Audit High-Risk Areas and Behaviour

  • Identify and monitor risk zones: mosh pits, bars, toilets, entrance queues, and crowded areas.

  • Conduct post-event surveys to capture incidents, feelings of safety, and suggestions from attendees — anonymise and disaggregate by gender and minority status.

  • Track incident patterns over time and use them to inform design and staffing decisions.

4. Provide Multiple, Anonymous Reporting Channels

  • Offer mobile-friendly reporting options: SMS, QR codes, apps, or online forms.

  • Allow attendees to report during and after the event — and make sure they receive confirmation and optional follow-up.

  • Ensure that reports are triaged by trained professionals, not just security personnel, and are included in debrief evaluations.

5. Embed Safety into Event Planning and Policy

  • Integrate harassment prevention into your event risk management, budgeting, and stakeholder plans — not as a tick-box but as a design priority.

  • Require third-party suppliers (e.g. food vendors, production teams, partner sponsors, subcontractors) to sign safer event agreements and attend briefings.

  • Include safety and inclusion metrics in annual board reviews, investor updates, and public-facing sustainability reports.

6. Collaborate Beyond the Event

  • Work with community organisations, disability groups, and LGBTQ+ networks to co-design safety measures and test ideas.

  • Share anonymised data with industry associations and government agencies to improve sector-wide standards.

  • Advocate for policy reform that makes safer space protocols part of licensing and funding criteria at local and national levels.

These actions aren’t add-ons — they’re core to audience trust, operational integrity, and long-term viability. By embedding them into everyday practice, events can become genuinely inclusive cultural platforms — not just in theory, but in every beat, lyric, and gathering.


IMPLEMENTATION CHALLENGES

1. Resource Constraints and Organisational Priorities

Implementing inclusive safety measures requires time, money, and sustained effort — which many smaller festivals and independent venues lack. Organisers often face tight margins and may prioritise headline acts, production, or alcohol sales over training and safety design. While major festivals can absorb the cost of inclusive staff training or harassment liaison officers, grassroots events often operate with volunteers and minimal infrastructure. Without dedicated funding or policy incentives, action may remain sporadic or symbolic.

2. Cultural Resistance and Sectoral Norms

Longstanding industry cultures can be slow to change. Some organisers, staff, or attendees may dismiss inappropriate behaviour as part of the “festival experience,” especially where intoxication and hedonism are normalised. Efforts to introduce safer space policies or restrict alcohol sales may be seen as a threat to the vibe or commercial success of an event. Overcoming cultural pushback — especially from those in senior roles — requires strategic internal advocacy and visible leadership.

3. Underreporting and Normalisation of Harm

As the Finnish study showed, a significant proportion of victims — particularly from minority groups — do not report incidents at all, often because they fear not being believed, being blamed, or being ignored. Some behaviours are so normalised (e.g. groping in crowds, slurs from strangers) that attendees may not recognise them as violations. Even well-designed reporting systems may struggle to generate accurate data without parallel efforts in awareness-building and trust-building.

4. Intersectional Blind Spots in Design and Delivery

Inclusion efforts often focus primarily on gender — particularly cisgender women — and can unintentionally overlook the compounded vulnerabilities faced by people with disabilities, trans and nonbinary individuals, racial and ethnic minorities, and those with multiple intersecting identities. Without intentional inclusion of these perspectives in planning, events may reinforce exclusions even while claiming to be progressive. Truly intersectional practice requires continuous consultation, data disaggregation, and responsiveness.

5. Short Event Lifecycles and Staff Turnover

Events are often temporary, with different staff, suppliers, and contractors engaged year to year. This makes it difficult to embed institutional memory or consistent safety culture. Training can be forgotten, systems neglected, and policies inconsistently enforced. Similarly, organisers may not follow up on incidents after the event concludes, weakening accountability and learning. Building long-term safety practices requires documentation, cross-event collaboration, and stronger sector-wide frameworks.

Addressing these challenges doesn’t mean backing away — it means being strategic, realistic, and persistent. Sustainable culture change requires experimentation, evaluation, and leadership committed to equity beyond the headline stage.

REFERENCES

Baillie, G., Fileborn, B., & Wadds, P. (2022). Gendered responses to gendered harms: Sexual violence and bystander intervention at Australian music festivals. Violence Against Women, 28(3–4), 711–739. https://doi.org/10.1177/10778012211012096 

Bows, H., Day, A., & Dhir, A. (2022). “It’s like a drive by misogyny”: Sexual violence at UK music festivals. Violence Against Women, 30(2), 372-393. https://doi.org/10.1177/10778012221120443 

Brooks, O. (2011). “Guys! Stop doing it!” Young women’s adoption and rejection of safety advice when socializing in bars, pubs and clubs. The British Journal of Criminology, 51(4), 635–651. https://doi.org/10.1093/bjc/azr011 

Calver, J., Dashper, K., Finkel, R., Fletcher, T., Lamond, I. R., May, E., Ormerod, N., Platt, L., & Sharp, B. (2023). The (in)visibility of equality, diversity, and inclusion research in events management journals. Journal of Policy Research in Tourism, Leisure and Events. Advance online publication. https://doi.org/10.1080/19407963.2023.2228820 

Fileborn, B., Wadds, P., & Tomsen, S. (2019). Safety, sexual harassment and assault at Australian music festivals: Final report. University of New South Wales.

Fileborn, B., Wadds, P., & Tomsen, S. (2020). Sexual harassment and violence at Australian music festivals: Reporting practices and experiences of festival attendees. Australian & New Zealand Journal of Criminology, 53(2), 194–212. https://doi.org/10.1177/0004865820903777 

Graham, K., Bernards, S., Abbey, A., Dumas, T. M., & Wells, S. (2017). When women do not want it: Young female bargoers’ experiences with and responses to sexual harassment in social drinking contexts. Violence Against Women, 23(12), 1419–1441. https://doi.org/10.1177/1077801216661037 

Hill, R. L., Hesmondhalgh, D., & Megson, M. (2020). Sexual violence at live music events: Experiences, responses and prevention. International Journal of Cultural Studies, 23(3), 368–384. https://doi.org/10.1177/1367877919891730 

Kinnunen, M., & Honkanen, A. (in press). Music festival employees’ ableism as experienced by participants with disabilities. Annals of Leisure Research.

Kinnunen, M., & Honkanen, A. (2025). Gender minorities and persons with disabilities defining their perpetrators at music festivals. Journal of Convention & Event Tourism, 26(2), 101–125. https://doi.org/10.1080/15470148.2025.2460463 

Kinnunen, M., & Honkanen, A. (2024). Gender minorities at music festivals. International Journal of Event and Festival Management. Advance online publication. https://doi.org/10.1108/IJEFM-07-2024-0079 

Pernecky, T., Abdat, S., Brostroem, B., Mikaere, D., & Paovale, H. (2019). Sexual harassment and violence at events and festivals: A student perspective. Event Management, 23(6), 855–870. https://doi.org/10.3727/152599518X15403853721277 

Platt, L., & Finkel, R. (2020). Gendered violence at international festivals: An interdisciplinary perspective. In L. Platt & R. Finkel (Eds.), Gendered violence at international festivals: An interdisciplinary perspective (pp. 1–8). Routledge.

AUTHOR(S)

Visiting Scholar, University of Lapland (Finland), Part-time Researcher, LiveFIN (Finland)

Dr Maarit Kinnunen completed her dissertation on festival experiences at the University of Lapland in Rovaniemi, Finland. Her research focuses on live music events and their audiences. She has published articles in various journals related to tourism, festivals, and music, including the Journal of Travel Research, Event Management, International Journal of Event and Festival Management, Popular Music, and Metal Music Studies. Her work has examined the market dynamics of music festivals and analyzed audiences in general, their memories, and specific groups such as metal fans, solo attendees, gender minorities, and individuals with disabilities. 

Currently, Maarit is a visiting scholar at the University of Lapland. She works part-time as a researcher for LiveFIN, an advocacy organisation representing live music in Finland, including music event organisers, venues, rhythm music festivals, and live music intermediaries such as booking agencies and managers.

Senior Researcher, University of Turku (Finland), Research Manager, Visitory Ltd (Finland).

Adjunct Professor Antti Honkanen, PhD, is a senior scholar with decades of experience in tourism and leisure research. Trained in economic sociology, he has developed particular expertise in tourism, leisure, and event studies. He currently holds the position of Research Manager at Visitory Ltd, a company specializing in data-driven tools and analytics for strategic decision-making in the tourism sector. In addition, he serves as a part-time Senior Researcher at the Biodiversity Unit of the University of Turku.

Antti has previously held senior academic and leadership positions, including the directorship of tourism research units at two Finnish universities. He served on the board of the Finnish Society for Tourism Research from 2004 to 2020 and was its Chair from 2010 to 2019. His research interests encompass tourism statistics, visitor motivations, music festivals, and the application of quantitative methods in tourism research.

Disclaimer
The views and insights expressed in this article are those of the author(s) and reflect their research and professional expertise. They do not represent the views of the Centre for Events & Festivals CIC or its partners.